Some other titles:
Eccentric Chef Moon Sadly, it was a very bad career choice for both the star actors. They were both much better in all their other dramas I’ve seen them in. I loved her in Perfume and I loved him in … everything I’ve seen him in. Here they were both mediocre and boring, and I know it’s not their fault!
The story was old-fashioned and stale (if it weren’t for smartphones and such you would easily think that it’s a drama from 2000), chock-full of tired clichés: at every step we knew what was going to happen next. The initial misunderstandings, the amnesia, you name it, every trope in the book is there!
And the characters were so lazily written, they never came alive. We were told that Chef Moon is “eccentric”, but he’s just a regular guy, talented in cooking and warm-hearted, but with no particular personality. All the others are also cardboard “types”, seen a zillion times: the evil businessman, his obedient laquey, the spoiled chaebol lady, the chatty, warm-hearted, gossipy villagers for comic relief, the fat comic friend, the air-headed wannabe model, the “adorable” but smart child…
Sigh. The writer and director should never work in k-dramaland again.
I had missed Eric Mun so much that I endured this while cursing myself for wasting my time like this. I’m also someone who very rarely drops something when I have started it. But I kept it for the end of the day, just before bedtime, as it worked better than belladonna in making my eyes close by themselves.
Manhole (2017) Not nearly as good as “Operation Proposal”. The plot was more infuriating than interesting: It had no heart, no soul. Just mechanical comedy and stupidity. Good-looking male lead Kim Jae-Joong was over-the-top, he played for belly laughs. As for the Uee she looked so sick and undernourished and ugly, not to mention unlikeable as a character, that you couldn’t really root for the two of them. Jang Mi-Kwan was good but he shouldn’t have accepted to play such a role again. Jung Hye-Seong and Baro are good in their portrayal of snake-like friends. I wouldn’t recommend watching the drama because it has too many of the things I dislike.
Cinderella and Four Knights (2016) The less we say about it, the better. Still beating myself up for watching it until the end. The acting was very indifferent (I’ve seen all of them better in other dramas, so it must be the director’s fault) and the story was so predictable that you wanted to cry - seemed written by a teenager. By ep.5, you knew who was going to end up with whom, so the interest was lost - because the tired plot devices like past trauma etc. weren’t in the least capable of holding our attention. Generally, there are no surprises whatsoever.
The two main leads are super-handsome and sweet, but looking at them isn’t enough to engage the viewer. The female lead not only is plainer than plain, and with a masculine hairstyle that makes her no favors, but also has no charm whatsoever, and treats everyone as buddies. In no way was it believable that four good-looking men all fall for her. Yes, she is kind, good-hearted, but if someone has a good heart they can become a good friend, you don’t necessarily fall madly in love for them. In real life they would never think she’s girlfriend material.
Meloholic (2017) The writing was all over the place and especially towards the end, in the last two episodes, I couldn’t believe my eyes and ears.
The Starry Night, The Starry Sea Chinese drama. My bad for choosing to watch it when I know how bad most Chinese actors are, but it was because of the merman theme. The plot made no sense, the dialogues were trite and the acting so bad (either wooden, like the main lead, or super-blubbly cringey, like the female lead). Including a visibly gay actor cast as a Casanova. I don’t care a dime about what each person does in their own bed, but on screen you have to convince me you are your character. To top it all, the lame story ended with a needlessly tragic finale.
The Liar and his lover (2017) Interesting that we get to see the behind the scenes of idol factories. But it was poorly executed, both in writing and in acting. No chemistry between the two leads and not much acting either from either of them. The female lead has a very good voice, though.
The main lead’s attitude and character change for the better and the main couple’s love line is completed quite a few episodes before the end. After that, there is essentially nothing else for them to do and the show drags. Since the two leads have sorted out things and acknowledged that they like each other, becoming a couple, it seems that their relationship has nowhere else to go and nothing happens on that front. They act as good friends, that’s all. No passion, no longing, no flirting, nothing. I think that the so-called “bicycle kiss” is a strong contender for one of the worst kisses in k-drama. It even rivals the finale of Heartstrings in my opinion. Yet… The bland final episode left at least two stories unfinished.
The main problem, however, was the lackluster directing and the casting of all the young people. We’ve seen other non-stellar screenplays on fire when there is a solid cast and directing.
Bride of the Water God (2017) The story dragged on and on, more or less nothing happened, there was no poetry, no real romance, the actors were all very bad (except for the half-villain, a very pitiful character by an outstanding actor) and the plot was confusing, not well explained. The fantasy was minimal, since the god had lost his powers while on earth. The amount of frustration and dissatisfaction was directly proportional to the amount of eager anticipation one had before the drama started because the writer was the one who had written Misaeng!!!
Love With Flaws (2019) (I watched 4 episodes16)
Cardboard, cliché characters and situations (except the interesting note of the gay bartender, put there because it’s the trend now). If you’ve watched enough k-dramas, you know them, you’ve met them over and over. Cliché over cliché. The initial hate, the misunderstandings, the kind and gentle second lead, the best friend who has a good heart and humors the rude first lead, the chaebol grandmother, the chaebol daughter-in-law, the love which starts as a bet but will turn out to be otherwise (more misunderstandings are waiting when all this will be found out).
The only “original” thing is that the illness of the male lead is not a romantic, mysterious and rare thing like amnesia, prosopagnosia (although that one is hardly rare nowadays, at least in k-drama) and so on, but a very embarrassing and disgusting one, uncontrollable diarrhoea which almost makes him sh*t his pants a number of times and at least once succeeds. How are we going to be convinced of the guy being a romantic lead after seeing what we saw of him in the first few episodes?
That takes me to the humour. Gross humour (of the Waikiki kind, or of the three village idiots in Mama Fairy style). Exaggerated, over-the-top acting with rolling eyes, mouths twisted, twitching or open agape, distorted faces, hands clutching one’s behind to keep the excrement from blurting out, disgusting diarrhoea sound effects, this sort of definitely un-subtle thing.
The director and cameraman add to it by taking super-close head shots which make everybody’s faces look blown-up and grotesque. Everyone’s lipstick smeared beyond the natural lips to make them look even more like clowns. (WHY?)
The role of the main lead… okay, somebody must have hated the actor quite a lot to give him such a ridiculous, humiliating part to play (did his ex-wife pay the writer/director?). While also giving him the worst helmet haircut and the shiniest fuchsia lipstick on a flour-white puffy face with small slits for eyes, his whole forehead concealed by the bangs of the outdated coiffure, all carefully studied to make him look as bad as possible, while ironically every other character exclaims on how good-looking he is! Ahn Jae Hyun actually is a quite handsome man, judging from his other dramas like “Cinderella” and “Birth of a Beauty”. So it’s really puzzling. Why would they cut the branch off their feet by sabotaging their star? The only explanation is that they made him look his worst and gave him a ridiculous role on purpose, to humiliate him and ruin his career. I can find no other explanation. I am not getting into his acting because I don’t want to be unkind.
Rich Man Poor Woman:
I think I saw one episode and then I stopped. Conventional, sappy, cliché, old-fashioned, meh overacting. It could be understandable if the date was 2008 but no, it was 2018.
Welcome to Waikiki n.2
Couldn’t even finish a full episode. Gross slapstick of the worst kind. Grimacing, eye-rolling, eating with open mouth and spitting food out on people’s face, that sort of comedy. No thanks. My time is more valuable than that.