Well, despite December being busy, I’ve kept up with Psychopath Diary, and I have to say . . . eh.
It seems as if everyone was really psyched to do something original and quirky at the start of Psychopath Diary, and then someone–probably the person writing the paychecks–cautioned them not to mess things up by being creative and risk-taking.
I know that K-drama writers and producers and actors are somewhat constrained by the ratings they get as each episode of a particular show is initially broadcast. And I know that K-dramas have this weird thing where they have to have X amount of slapstick comedy and X amount of blood and gore and X amount of rom-com flirting to keep various audience members interested.
The comedy doesn’t seem that funny, the gore doesn’t seem that scary, and the rom-com flirting . . . well, I’ve seen two extremely half-hearted examples of that.
I feel as if someone keeps saying to Yoon Shi Yoon: “Son, don’t go overboard with the thoughtful acting, okay? You’re not here to do some unique interpretation of a character or be subtle or anything. You are here to entertain and get ratings that will make the sponsors happy. So whatever the script says, just go with it and get it done with the least amount of effort, okay?”
I am quite tired by now of seeing YSY make his cute disgusted face, wrinkling up his nose and baring his teeth. His stereotypical gesture, what he’s known for, what he’s done in everything I’ve seen.
And I’m finding it hard to believe that amnesia has completely made him forget that he is someone with decent values. His actions are supposedly based on his unquestioning acceptance of the idea that he is ruthless and cruel at the core, and I’m not buying that.
There are moments when he is truly acting, and acting well, instead of relying on caricatures of human behavior. But those moments are rare.
Jung In Sun is not portraying the spunky risk-taker her character should be. Corporal Sim has her moments, but she’s fairly two-dimensional, not that brave and not that smart.
Park Sung Hoon is playing the most complicated and interesting character of the three main characters. But even he seems constrained by corporate expectations. Don’t mess up your pretty face with ugly expressions, and don’t mess up your pretty hair.
I will keep watching, but with some sadness. K-dramas are known to have trouble at times knowing how to bring their story arc to a conclusion without leaving things hanging. Maybe Psychopath Diary will figure out a good way to end that’s as good as the way it started.