Ι’m glad you took the time to revise the Channel Manager path rules.
And I’m very happy that the requirement to have been a channel manager in the past three years has been removed. Thus old-timers don’t have to start all-over again. Yay!
But again, there are a couple of puzzling things which you might want to fine-tune:
" * If you are interested in a popular title that is at a higher level than where you are now, consider asking the Channel Manager if they would be open to co-managing it with you. By working together, you’ll both be at an advantage in getting the channel released to other languages quicker and having that positively reflected on your channel management history."
Apart from the infuriating part that, in the eyes of Viki, the single most important sign of a successful CM - that will get you future CM roles - is how fast the episodes are released, in what way having two channel managers helps in getting the channel released to other languages more quickly? Maybe because there are two people nagging the English team? It doesn’t work that way, LOL!
- Send a DM to fsl_viki when you have successfully managed your channel to subtitle completion – e.g. releasing all episodes to other languages (OL) teams and having completed key languages.
It would be nice to have a list of what “key languages” are. We know from experience that English, Spanish and Portuguese are surely among them, but are also German, French and Italian included? And which others, if any? It’s important to have a specific list of the key languages so that we know which one we have to complete at all costs.
If you have Channel Manager experience but did not meet expectations or if your past performance was not at a quality level (e.g. you did not release to other languages in a timely manner, complete key languages, etc. ) you will need to prove that you can properly meet expectations for the level you are currently at before moving on.
Again, the quick release is the only thing mentioned, apart from the completion of the “key languages”. But how on earth can you prove that you can properly meet expectations? Apart from promising “I will be quicker to release this time”? Is there any way to prove such a thing? This makes no sense!
There’s another, very important thing, that I hadn’t noticed at first, but will be extremely bad news for many:
To become CM of Korean on-air dramas, the requirement is:
Has managed at least two (2) Chinese on-air dramas. This does not include short on-air series
Helloo! There are some people here who are interested in one particular country of origin/language because they already know that language, or are studying that language or they just like that country’s films and dramas better. Either Chinese, or Korean. And they seldom or never work on projects other than this language they know.
I personally know quite a few Italian volunteers who study Chinese in university and therefore are only interested in Chinese content. Conversely, there are people who don’t like Chinese dramas, never or almost never watch those dramas as viewers and know nothing about Chinese language and culture; they don’t even particularly like the sound of Chinese. So they have ZERO interest in working on them (that would be me).
What now? Those people are obliged to ask to become co-CM and then slowly become CM of TWO Chinese dramas (which typically are super long!) only to achieve the goal of becoming one day CM of a Korean title?
They will work half-heartedly, because for them it’s a chore.
I don’t know about you all, but I only ask to work on titles that I think I will like.
This is a bit unclear too:
To determine your Channel Manager level, look through your previous projects and see where those projects fall into the content categories on the progression path.
Does it mean to look where our old projects fall into the left column or the right column? I hope it means the left! That we have already done something of that level, not that we necessarily meet the new requirements for it. Because otherwise, many of us would be thrown at the roadside!
I have already been CM of a Korean on-air drama (so technically level 5), but I have never been CM of one, never mind two, Chinese dramas. It seems that - now that the “in the last 3 years” has been scrapped - I get to keep that level and I don’t need to go through hoops to achieve it again.
But what about the new people, who will have to undergo unnecessary torture?
Not to mention that, to be fair, putting an hierarchy on languages, Korean being over Chinese and being considered more difficult or more of an achievement is a bit rude towards Chinese volunters. Oh, let me correct that. Not “a bit”. It’s an insult. One is not more difficult or prestigious than the other, it’s just that some people specialize, for their own reasons, on one or the other. Why oblige them to work on both if they don’t wish to?
Please change that rule to always say “Chinese OR Korean”, putting them on the same level.
Here is the revised page of the CM path, so people don’t have to search for it.
@fsl_viki @brendas